dc.contributor | Runde, Jochen | |
dc.creator | Colbourne, Rick | |
dc.date.accessioned | 2018-11-24T13:11:22Z | |
dc.date.available | 2011-11-22T12:19:11Z | |
dc.date.available | 2018-11-24T13:11:22Z | |
dc.date.issued | 2011-10-11 | |
dc.identifier | http://www.dspace.cam.ac.uk/handle/1810/240608 | |
dc.identifier | https://www.repository.cam.ac.uk/handle/1810/240608 | |
dc.identifier.uri | http://repository.aust.edu.ng/xmlui/handle/123456789/2940 | |
dc.description.abstract | This thesis adopts a practice-based approach to understanding how power, knowledge and knowing intermingle in organizations to facilitate/constrain individual access to opportunities for knowing-in-practice (learning). It explores how organizational mechanisms and technologies of regulation (re)construct and (re)produce organizational dimensions of knowledge as power/knowledge resources by which intermingling modalities of power are enacted to continuously sanction and (re)constitute individual meanings and identities. | |
dc.language | en | |
dc.publisher | University of Cambridge | |
dc.publisher | Judge Business School | |
dc.publisher | St. Catharine's College | |
dc.rights | All Rights Reserved Rick Colbourne | |
dc.subject | Organizational learning | |
dc.subject | Power | |
dc.subject | Music industry | |
dc.subject | Major record label | |
dc.subject | Music industry career | |
dc.subject | Practice based theorizing | |
dc.subject | Social learning | |
dc.subject | Case study | |
dc.title | Practice, power and learning in UK recorded music companies | |
dc.type | Thesis | |