What's in a Tune
| dc.date.accessioned | 2004-10-04T14:46:35Z | |
| dc.date.accessioned | 2018-11-24T10:12:30Z | |
| dc.date.available | 2004-10-04T14:46:35Z | |
| dc.date.available | 2018-11-24T10:12:30Z | |
| dc.date.issued | 1974-11-01 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.1/6227 | |
| dc.identifier.uri | http://repository.aust.edu.ng/xmlui/handle/1721.1/6227 | |
| dc.description.abstract | The work reported here began with two fundamental assumptions: 1) The perception of music is an active process; it involves the individual in selecting, sorting, and grouping the features of the phenomena before her. 2) Individual differences in response to a potentially sensible melody rest heavily on just which features the individual has access to or is able to focus on. | en_US |
| dc.format.extent | 5564519 bytes | |
| dc.format.extent | 4103245 bytes | |
| dc.language.iso | en_US | |
| dc.title | What's in a Tune | en_US |
Files in this item
| Files | Size | Format | View |
|---|---|---|---|
| AIM-314.pdf | 4.103Mb | application/pdf | View/ |
| AIM-314.ps | 5.564Mb | application/postscript | View/ |